Roberto Bigano – How to shoot technical products: The Manfrotto 2010 Campaign
This is the second lesson on professional photo shooting for Manfrotto. Pratical lessons referring to real works. You will learn how i took pictures that probably you know well and professional techniques in different fields. Here you will see the making of the shooting for the new Manfrotto Campaign 2010.
Video concept and editing by Pietro Bianchi & Francesco Piras, photography by Pietro Bianchi
Twenty years to set a style
From the last twenty years I’ve been shooting for Manfrotto. Year after year this pictures have created a very popular look and they seems to be shot “like a tripod”. Now, in the world over, tripods and photographic equipment of this kind are photographed in exactly this same way. This is called “the Manfrotto style”.
In this lesson I would like to present you someone of the most popular images I did for Manfrotto.
But the guest star will be the shooting for the last Manfrotto Ad Campaign with the backstage and the “making of”.
Above, my first popular photograph for Manfrotto. Below the last one.
Year after year I developed my own technique using spot fresnel lights and light and handy alu frames with a frost. The best for light transmission is the Lee Filters 216. This couple of tools allows me a fine control and give me a flexible light, smooth and sharp in the same time.
If you look at the video you can see how I obtain this tonal passages of my pictures.
I developed also a very straight way to shot the products with a very natural perspective. I began also to use the so called “ghost effect” to show the movements of the heads and the tripods.
Manfrotto Ad Campaign 2010
In fall 2009 Manfrotto, world-leader in photo and video professional support, launched a corporate adv campaign on its brand, featuring the Manfrotto logo, and the company’s flagship products.
The agency chosen for the job was the Italian Claim Advertising, while the photographer called in to capture the flagship products was Roberto Bigano. The session took place at Francesco Parolin Sudios at Bassano del Grappa
All Photographs by Roberto Bigano & Andrea Cracco.
The two days of shooting Timelapse Backstage
Peeking Behind The Scene
To let you catching the backstage glimpse we publish here some rough videos. With small variations this is the set I use for most of my Manfrotto Shots.
I want underline that although we could get any stand or accessory we put ourself in a situation similar to an average studio.
So you will see an Avenger Grip placed on a standard stand instead of a C Stand etc.
Pietro is trying the Figrig with Canon D5 MarkII
Pietro Bianchi a young talented Photographer and Videographer of my staff is trying here for the first time the Figrig.
The result even if improvable are very interesting.
The Figrig designed and enginereed by the famous film director Mike Figgies is a circular frame with a crossbar to mount most mini DV cameras or Photo Cameras, the Fig Rig becomes part of the body to produce smooth, steady travelling shots. An idea that is non-traditional in design, but purely simple and effective. The only modular system in the world to smoothly support the DV camera and act as a frame to mount all the accessories – including zoom controllers, mics, mixers, lights, monitors, arms.
You can get more information on Figrig here >
Fine tuning of light using frost frames and the Avenger Flags
In this video you can see how I make the fine tuning of the light using the Lee Filters 216 frost placed on Multitube frames and the Avenger flags also with 216 frost, the Century Stands and the Avenger Grips